sad boy music

Ship and Sail - From Seeds Review

Photography: Abby Recker

Photography: Abby Recker

A little fun, and also a little sad is the tagline from Ship & Sail’s Bandcamp - and the Michigan natives are definitely that. The melancholy, blissful mixture of Americana, Folk and Indie melt Ship & Sail down for listeners, they want you gooey, they want your right on the verge of knowing, experiencing. They are the haunting of our minds - from loss, from laughter, from sheer emotion. They bring to the table something I haven’t heard in a while, something that (sometimes) only bedroom pop bands can get right - but, we’ll save that for later.

Beginning from a song-writing exercise, Colin Haggerty (Vocals & Guitar) began Ship & Sail’s first EP, Even From A Dying Tree, The Worry Bird Sings. It has now grown into something that even Haggerty did not expect at first. Mixed and mastered by Doug Gallo at AGL Sounds in New Jersey, From Seeds is, according to Haggerty, “the most important release I’ve ever had and has been a blast to play live.” Since the release Ship & Sail has shared the stage with the likes of John Nolan (Taking Back Sunday, Straylight Run) and Breathe Owl Breathe, while also performing as a four-piece, a soon to be six-piece, and will also be doing a three-piece acoustic-folk outfit. All the while continuing to play solo.

Check out the tracklist below to follow along!

Album Artwork by Brijana Bondy

Album Artwork by Brijana Bondy

From Seeds Tracklist:
1. Lynda
2. A Wish, A Lie
3. Fix
4. Windowsill
5. Bed to Stay
6. Hope
7. Call it Quits
8. Nails
9. Maggie
10. From Seeds



After the death of his Mother, Ship & Sail began comprising an album that moves slowly, irrigating every moment it encapsulates. From Seeds is the capsule in which they live - the album, an impressive full-length that breathes feeling and lyricism. Opening track, “Lynda” drops the listener immediately into the sound of a voice - familiar, but far away.

Haggerty’s sound is one that jostles against his instrumentals. The deep, gritty voice against a melodic, slow moving undertone creates an atmosphere that gives a sense of knowing. Ship & Sail want you to know what they’re thinking, because it’s things you’ve thought before, felt before, seen before. Love, longing, fear, anxiety - all topics that From Seeds touches upon, thoughtfully & fully aware. One track that really does this for myself, as a listener, is “Call It Quits.”

This album takes it’s time, and instinctively, it makes it feel hard to separate. I understand the necessity, the artistry, the wanting; however, 10-tracks that meditate around a similar sound that includes instrumentals, little variation in vocal performance, and lyricism (while beautiful poetic, and one of my favorite parts) it can feel lengthy and tired by completion. I wonder how I would feel about these tracks if, instead, they were layered throughout different compilations with tracks that bounced off of them, rather than swept them all together.

That being said, my favorite track is “A Wish, A Lie.” Arguably, the most upbeat track on the record, this track feels just right. The beat hits in the right spots with the lyrics, the twanging of the guitar makes it feel like a journey from beginning to end - and, that’s what it is. A journey, a moment of flurrying feelings. It felt sweet, sincere, and secure for a moment - as if the album could look upon it’s creator and say, “take a look, this is what we are!”

Again, the lyricism of this album is the strongest, hardest hitting aspect of From Seeds. The imagery, the methodology, the quickness of it all - like the severing of ties - hits hard. This album is for feeling, for being in the moment of feeling, and for appreciating how stinkin’ good a guitar sounds all by itself. Ship & Sail take their time to craft, to emote and be human. From Seeds will do the same, and for that I am thankful. It reminds me of rainy summer days where the ground is hot and steaming, and the sky is dark but, somehow, there is still pale yellow light all around you.

Moving forward, I am eager to see how Ship & Sail will sound with more members, with different tracks, ideas, emotions. This beginning is valid and important in solidifying a common ground between artist & listener, and now that we’re here - what’s next? I guess we’ll see! Until then, check out Ship & Sail’s social media links down below, and listen to From Seeds if you need a good album to feel things with!

Keep reading to find out more new & exciting stuff, and thanks for choosing The Hook!

Ship & Sail: Facebook // Instagram // Twitter

**All biography information thanks to Brijana Bondy**

The Broken Few - We Leave Pieces Of Ourselves

As Fall encroaches (hopefully) upon us, we're settling in with a good book and a good band. This time it's Providence, Rhode Island quintet The Broken Few. The post-hardcore screamo band bring out the sad boy in us all, and for the month of October, that's what we're into.

(Shut up, Mom this isn't a phase)

Way back in April, The Broken Few released We Leave Pieces Of Ourselves, a 9-track album that pushes and pulls at the innards of anyone who stumbles upon it. The Broken Few includes members Eddie Cote (Vocals), Joe Landriana (Guitar/Vocals), Chris Cordon (Bass), Jordon Collard (Drums), and Chris Michaels (Guitar) to create a nice slice of what you instrumentally like about post hardcore with the screams to go along with it.

Check out the tracklist below to follow along!

The Broken Few Tracklist:
1. Fuck Yeah, Bob Saget
2. Axe Body Spray
3. Smile
4. Winter
5. Hey Jealousy
6. Rose
7. To Whom It May Concern
8. You Don't Know Me
9. Wander

 



Opening track "Fuck yeah Bob Saget" lures listeners into to something that isn't always going to be very funny, but that's ok. I really dig the vibe of this album, it's soft in nature (or probably just recording), and it sneaks up on listeners in a lot of ways. I prefer this album instrumentally, and when Cote is singing rather than screaming, the tracks feel a little more impactful. Some tracks have an inconsistent type of vocal depth to them, one where I wish they'd choose between the two styles. 

For the most part, tracks 1-5 were preferred over the latter half of the album. They felt the most consistent, heartfelt and well put together. I wanted more tracks like that where I could get lost in sharing those feelings with the band as they pull them out of the listener. Overall, I like The Broken Few. I want to listen to more music for them and I want them to do well. I wonder where their path will take them in the future, and what things they want to hold onto or let go - and We Leave Pieces Of Ourselves is an ode to a time in which they did just that.

To keep up with The Broken Few, check out their social media down below!

The Broken Few: Bandcamp // Facebook