music review

Dysfunktone - Collection Perspective Album Review

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Good vibes & good dudes, Dysfunktone is here to bring all they’ve got.

Long Island born and bred, the four piece band has set their hearts on creating music that inspires people to dance, listen, and be in the moment. Thanks to the efforts of current members Rob Meza (Guitar & Vocals), Brandon Hanna (Guitar & Vocals), David Wolfsohn (Bass & Vocals), and Dakota Henry (Drums), Dysfunktone is looking forward to what’s in store for their musical future.

From humble beginnings in 2015, Dysfunktone has worked hard to not stick to any one sound, while also creating a feeling for listeners with music all their own. Jazz, reggae, rock, funk, metal: all genres that could describe any sound from the foursome at any given time. Collective Perspective is the culmination of that work, their first release since 2017.

Check out the 9-track LP down below to get a sense of what we’re talking about!

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Collective Perspective Tracklist:
1. Afterimage
2. Luminescence
3. Dementia
4. Reflection Collection
5. Toasty
6. Clouded
7. Mirror
8. Hourglass
9. Feelin' Time

The 9-track LP is a catch all for Dysfunktone’s self proclaimed genre blending good vibes. The tracks mostly remind me of Acid Rock and Funky Jazz having a baby - with the shortest song being around 3 minutes, and the longest being over 11 minutes. Generally, the album is good. It floats seamlessly between each track, it doesn’t ever take itself too seriously, and it feels welcoming even to novice listeners of Dysfunktone.

I can appreciate a genre blending jam band as much as the next person, but part of me wants to ask the question: why and also who cares? The album can leave a little bit to ask in the sense of togetherness, and what makes this album different than their 2017 release? I wonder what aspects of genre blending can be applied to make a concise, cohesive album without giving up the ideals that the band already carries. The album feels too all over, and can make any listener feel a little alienated upon first or second hear-thru.

Moving forward, I would look forward to an album that sees itself in a better way. One that takes the idea of genre blending, and pushes it into the song making, rather than just putting a multitude of different songs together and calling it as such. I like the vibe, I like the tone - the band feels good to listen to, but constructing an album is just as important as the songs that are in it, and taking the time to thoughtfully craft is what I’d be interested in.

As far as the band is concerned, Dysfunktone’s goals are simple: keep playing shows, spreading good vibes, and making good music. DIY to their core, and ready to spread the love, Dysfunktone is headed towards a bright future. If you like something to bob your head along to, Dysfunktone’s got you covered - but, ultimately, if you like good music and good people, well then you’ve found your people, regardless.

Check out Dysfunktone’s social media to keep up with everything they’ve got going on, including (but not limited to) shows, new releases, and good tunes!

Dysfunktone: Facebook

Ship and Sail - From Seeds Review

Photography: Abby Recker

Photography: Abby Recker

A little fun, and also a little sad is the tagline from Ship & Sail’s Bandcamp - and the Michigan natives are definitely that. The melancholy, blissful mixture of Americana, Folk and Indie melt Ship & Sail down for listeners, they want you gooey, they want your right on the verge of knowing, experiencing. They are the haunting of our minds - from loss, from laughter, from sheer emotion. They bring to the table something I haven’t heard in a while, something that (sometimes) only bedroom pop bands can get right - but, we’ll save that for later.

Beginning from a song-writing exercise, Colin Haggerty (Vocals & Guitar) began Ship & Sail’s first EP, Even From A Dying Tree, The Worry Bird Sings. It has now grown into something that even Haggerty did not expect at first. Mixed and mastered by Doug Gallo at AGL Sounds in New Jersey, From Seeds is, according to Haggerty, “the most important release I’ve ever had and has been a blast to play live.” Since the release Ship & Sail has shared the stage with the likes of John Nolan (Taking Back Sunday, Straylight Run) and Breathe Owl Breathe, while also performing as a four-piece, a soon to be six-piece, and will also be doing a three-piece acoustic-folk outfit. All the while continuing to play solo.

Check out the tracklist below to follow along!

Album Artwork by Brijana Bondy

Album Artwork by Brijana Bondy

From Seeds Tracklist:
1. Lynda
2. A Wish, A Lie
3. Fix
4. Windowsill
5. Bed to Stay
6. Hope
7. Call it Quits
8. Nails
9. Maggie
10. From Seeds



After the death of his Mother, Ship & Sail began comprising an album that moves slowly, irrigating every moment it encapsulates. From Seeds is the capsule in which they live - the album, an impressive full-length that breathes feeling and lyricism. Opening track, “Lynda” drops the listener immediately into the sound of a voice - familiar, but far away.

Haggerty’s sound is one that jostles against his instrumentals. The deep, gritty voice against a melodic, slow moving undertone creates an atmosphere that gives a sense of knowing. Ship & Sail want you to know what they’re thinking, because it’s things you’ve thought before, felt before, seen before. Love, longing, fear, anxiety - all topics that From Seeds touches upon, thoughtfully & fully aware. One track that really does this for myself, as a listener, is “Call It Quits.”

This album takes it’s time, and instinctively, it makes it feel hard to separate. I understand the necessity, the artistry, the wanting; however, 10-tracks that meditate around a similar sound that includes instrumentals, little variation in vocal performance, and lyricism (while beautiful poetic, and one of my favorite parts) it can feel lengthy and tired by completion. I wonder how I would feel about these tracks if, instead, they were layered throughout different compilations with tracks that bounced off of them, rather than swept them all together.

That being said, my favorite track is “A Wish, A Lie.” Arguably, the most upbeat track on the record, this track feels just right. The beat hits in the right spots with the lyrics, the twanging of the guitar makes it feel like a journey from beginning to end - and, that’s what it is. A journey, a moment of flurrying feelings. It felt sweet, sincere, and secure for a moment - as if the album could look upon it’s creator and say, “take a look, this is what we are!”

Again, the lyricism of this album is the strongest, hardest hitting aspect of From Seeds. The imagery, the methodology, the quickness of it all - like the severing of ties - hits hard. This album is for feeling, for being in the moment of feeling, and for appreciating how stinkin’ good a guitar sounds all by itself. Ship & Sail take their time to craft, to emote and be human. From Seeds will do the same, and for that I am thankful. It reminds me of rainy summer days where the ground is hot and steaming, and the sky is dark but, somehow, there is still pale yellow light all around you.

Moving forward, I am eager to see how Ship & Sail will sound with more members, with different tracks, ideas, emotions. This beginning is valid and important in solidifying a common ground between artist & listener, and now that we’re here - what’s next? I guess we’ll see! Until then, check out Ship & Sail’s social media links down below, and listen to From Seeds if you need a good album to feel things with!

Keep reading to find out more new & exciting stuff, and thanks for choosing The Hook!

Ship & Sail: Facebook // Instagram // Twitter

**All biography information thanks to Brijana Bondy**

Hoser - Nosebleeder Review

Our Philadelphia favorites, Hoser, have drudged through those winter blues with a nice little two track EP, and we feel blessed. Nosebleeder was released on February 5th, so we may be late to the party, but we're staying for the celebration.

The 2-track EP was recorded with Mike Britt at the bins, and mastered by Troy Glessner at Specter Studios. According to the band, after their brief hiatus, the EP "was recorded very quickly last summer while in the midst of booking our first national tour. So we pretty much had a gun to our head to finish by August. It was a very crazy insane summer. We finished recording, toured, got home, and than did much needed work in post on the EP. So technically the EP was released on tour but it was a terrible version and we pulled it the day we got home. So we like to think that it was a demo and this is the real release. As you can tell we have gotten heavier and more dynamic. We have added our black/death metal love into the music on Nosebleeder. Kensington and Somerset is about the ongoing struggle of staying clean and the terrible cycle of relapse and lose of hope. I wrote that song when I was really young like 19 or 20. I am and most of Hoser are recovering Heroin Addicts, so the song means a lot to us. We are really happy to finally have a good recording of it, and finally have it out in the world."

Check out the tracklist down below!

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Nosebleeder Tracklist:
1. Nosebleeder
2. Kensington & Somerset

 

 

 

 

 

 

 

In true Hoser form, the EP is a gritty, rock & roll saga that feels much longer and more intense than just two tracks. While the tempo is fast paced, it doesn’t feel unwarranted. I actually really enjoy this harder Hoser, with an opening track that has an intro to make you shake in your boots.

Their endearment for noisy black metal is prominent in this EP, and we’re perfectly fine with it - opening track “Nosebleeder” is going to give you what you may have been yearning in previous EP’s with Hoser; constantly teetering on the edge of rock & punk.

Check it out below!

“Kensington & Somerset” revives a more European style Punk that, while differing from our old favorites, keeps Hoser right on track with what they want & love about making music. While it’s extremely short, it closes the EP in a potent & meaningful way! This EP is one you don’t want to miss, and while we’ve been sitting on it, you definitely shouldn’t!

You can check out Hoser on their social media down below to keep up with them in the meantime. Otherwise, stream their music above on their bandcamp!

Hoser: Facebook // Instagram

Brushstroke - One vs. One Review

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Debut album from Southwest Philadelphia multi-instrumentalist Eoin Murphy is like a well crafted mixed drink; icy sweet from the first sip with a lingering tension at the end of each gulp. Released under the pseudonym “Brushstroke,” this album paints a masterpiece from ear to ear. 

Ten songs come together to make up One vs. One, and they can be enjoyed on all major streaming platforms. If you consider yourself a listener who is hip to the artist-centric music streaming site Bandcamp, then you may have spotted One vs. One in their January edition of Bandcamp Weekly, where the website features new releases everyone should be hearing; otherwise a digital tip of the hat to Murphy from the Bandcamp family.

Check out the tracklist down below!

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One vs. One Tracklist:
1. Welcome
2. Tapestries
3. Tongue Tied
4. S.T.C.
5. Fall In Love (w J Dilla)
6. Mindgames
7. Fever Dreams
8. Sun Lens
9. Tomorrow
10. Thanks & Goodbye
 



It was the catchy single “Tapestries” that caught their attention, a song that has any listener singing along by the time the second chorus hits. The hook’s lyrics are filled with imagery and transport you to a hazy, blissful atmosphere layered with wispy guitar leads...

“Waitin on that dotted time
Drivin through the candlelight
Watching as the sun fades on the hill
I can feel this passin through
Maybe I’ll get back to you
Only after I see that blue
Tapestries of me and you”


Murphy’s voice tiptoes throughout the track, the longing for something he once had evident in his swooning vocal melodies. The lyricism feels impeccable, especially with lines like, “Drivin through the candlelight,” and, “Tapestries of me and you.”

Can you see it? The blurred horizon of driving through candlelight and two people weaving their relationship with each strand like a woven tapestry.

Tucked in the middle of One Vs. One, "Brushstroke" pays a homage to one of the most worshipped producers of our time, J Dilla. Murphy serves up his own rendition of the beloved tune “Fall In Love” and decides to strip the song of the beat entirely. This is a bold move to cover a Dilla tune, but he pulls it off gracefully. The cover starts out with simple guitar strums, eventually blooming into a multilayered masterpiece. The riff continues over and over again, trying to lull the listener into a peaceful dream.This record is a mature and powerful debut release from Brushstroke.

Not only are the songs catchy, but they highlight Murphy’s prowess as a guitarist, singer, and producer.

I cannot wait to hear what Brushstroke has in store for the future. In the meantime, of course, at least we have an entire album to jam to while we wait!Catch Brushstroke’s updates on their social media, or today, March 22nd at Bourbon & Branch right here in Philadelphia!

Brushstroke: Facebook // Instagram

Brother Martin - Led-Son Review

Photo:  Laura Jane Brubake

Photo:  Laura Jane Brubake

Jazz Fusion meets Indie Pop in Brother Martin's debut EP, Led-Son. The five track EP is a sweetheart of a release, one that will capture your heart from the moment you turn it on, so we suggest you turn that on.

With Led-Son being released back in January, the project includes Maria Mirenzi (vocals, baritone saxophone), Dan Espie (keyboard, vocals) , Jacob Kelberman (guitar), Jon Gruver (bass), and Austin Wagner (drums). Tracks 1-4 were recorded/mixed by Luke Shefski of Shefski Productions, and "Martin" was recorded/mastered live at Rittenhouse Soundworks by Michael Cumming, audio engineer. All of this hard work and effort has created an EP that often speaks for itself, whether that be in lyricism, performance, instrumentalism, or style. 

Check out the tracklist below to follow along!

Artwork: Margot Gatenby

Artwork: Margot Gatenby

Led-Son Tracklist:
1. Led-Son    
2. Describing Time
3. On Top of a Mountain
4. For Tomorrow
5. Martin

 

 

 

 

Opening title track is one that extends an open hand to the listener, it says "come in, you're safe here," and that is the only way I can explain my experience listening to Led-Son by Brother Martin. The entire EP is witty, light, soft and easy to listen to. Not once did I feel off put by any track on the EP, and I really dug Brother Martin's ability to change up their range and style while still staying in a sound vein that felt familiar and productive.

"Describing Time" slows us down from opening track "Led-Son" and let's you sink into the warmth that is Brother Martin. The use of the saxophone to follow the vocals is smart, well placed, and quite frankly makes me melt a little every time I listen to it. "On Top Of A Mountain" is a fantastic little diddy that brings back a euphoric joy and carelessness to Led-Son that makes it feel ethereal, thank you piano.

"For Tomorrow" dials down the theatrics and brings you back into orbit, and closing track "Martin" sweeps up the whole experience that Led-Son was and packs it back up neatly where it came from. This sweet lil EP knows exactly what it's doing the whole way through, and it is a truly impressive put out for Brother Martin, seeing as the debut EP feels solid and put together. 

Honestly, this is just some good jams to simmer out too, and we recommend you do so. To follow Brother Martin and what they're up to, we've got their social media down below so you don't miss a single moment!

Brother Martin: Facebook // Instagram // Website

Overwinter - Condor Review

Photographer: Richard Sanders

Photographer: Richard Sanders

We've been sitting on this review for a long time - and we're not proud of it, ok? This artist and this album, however, are near and dear to our hearts. Having played multiple Hook Showcases, as well as being a dynamic, outgoing and interesting performer, Overwinter is a seasoned Hook Veteran

Their debut EP, Condor, is what's been on our minds for (we're ashamed to say) the last three months. It's about damn time we're giving it the credit it's due. The 5-track EP was created in sensible DIY fashion in North Philadelphia, a bluesy, somber look into love and hate and loneliness - all of this with the quirky addition of electro-pop synth to tie it all together.

Check out the tracklist below to follow along!

Album Art: Jordyn Lyric

Album Art: Jordyn Lyric

Condor Tracklist:
1. Colours
2. Not Mine
3. Condor
4. Apostle
5. Let Go

 

 

 

 

Considering that Condor is Overwinter's first, official release we were highly impressed. It exerts itself into the heads of listeners in a sonically unique way. Francis' (aka Overwinter) voice lays over the tracks, melting in and out of moments while you listen. The use of track samples to enable new, creative ideas make Condor feel familiar and exciting all in one. As far as consistency, Condor shows an intermediate level of planning and coordination in track selection - something that not a lot of DIY artists can say when they're first starting out.

We know, we know we're a little late to the party. So late to the party that Overwinter is already planning new releases for 2018, some of which already in the works, and thanks to Condor and Overwinter's persistent energy and presence in the DIY Philadelphia scene, that release is heavily anticipated. 

Let's get back to the point, though.

"Apostle" is by far my favorite track off of the EP. It's sultry, sexy, dark, brooding, exciting and using all of it's elements in an important way. "Apostle" really gathers up all of Condor and says THIS IS WHAT I'VE GOT - and Overwinter isn't joking around. The EP's tightness grows in the last three tracks, and we're interested in seeing the progression Overwinter has made in their upcoming releases.

The Philadelphia native plays shows constantly, so we'll be leaving Overwinter's social media links down below so you can always stay up to date. And we'll make a promise, too. Next time they release something, we'll be on top of that as soon as humanly possible (we're one human so, it might be 3-5 business days).

As always, much love to Overwinter, and thanks for reading!

Overwinter: Facebook

Scooter Brothers - Lookin' Good! Review

Monmouth County seems to be a breeding ground for unique alternative rock bands. It is incredibly often I find myself finding out about a number of rock outfits that fit the mold of groovy, savvy rock bands akin to many groups that play Asbury Park. And after checking out their albums, I wonder to myself: why haven’t I seen this band around Asbury?! That probably speaks to the clique problem in that scene, but I digress - people who love the alternative rock camaraderie of Asbury bands but want something new should be listening to Manalapan-based band Scooter Brothers, specifically their album Lookin’ Good!

Lookin’ Good!
 is an energetic romp carried by four alternative rock tracks that keep you fully engaged and bobbing your head. Scooter Brothers released the EP on September 29, 2017 with the promise that half of the sales from their album would be donated to UNICEF’s Hurricane Maria relief fund for Puerto Rico. Listeners already had more than one reason to pick up this album, but that’s a truly wonderful added incentive to do so.

We've got the tracklist down below for you to follow along!

Lookin' Good! Tracklist:
1. No Diane
2. Beatch Boys
3. Mirror Me
4. Train Ride

 








Instrumentally, listeners will enjoy the nod to surf rock on the first two tracks “No Diane” and “Beatch Boys” (not a typo).  The last two tracks dig into a bit more of a rock n’ roll sound, with the guitars not only holding down melody but adding spacey auxiliary sounds by way of screaming leads and tonalities reminiscent of shoe-gaze. The bass and drums hold down the rhythm section, with drum fills and bass lines that contribute well to the sound the band is achieving as a whole. What I love about “Train Ride” is the occasional piano and organ parts that rear their heads to add depth to the track.

What stood out to me were the creative lyrics on each song, each sharing specific vignettes told by the lyricist while leaving interpretation completely open to the listener. “Mirror Me” seemingly shares the story of a relationship between two people who feel bound by their ties to each other and society’s expectations of their individual existences, though it could mean anything. I feel it is so important to note how hilarious “No Diane” is lyrically, a story about how the singer was told by a ghost that the woman he is destined to marry is named ‘Diane.’ At the song’s peak, the instruments peel back the volume only for the vocalist to admit in all his years of existing, there is no way this could be true unless someone wants to introduce him to a twenty-something year old woman named Diane; he hasn’t found her.

Anyone who is looking for a diverse alternative rock album should check out Scooter Brothers’ Lookin’ Good!, available now on Bandcamp. The EP is sonically engaging and incredibly creative.  Be sure to follow Scooter Brothers on their social media down below to stay up-to-date on future shows!

Scooter Brothers: Facebook // Twitter

Burn The Louvre - We'll Be Just Fine Review

Design by:  Marah Montague

Design by: Marah Montague

Canada natives Burn the Louvre, up-and-coming indie rock band, have recently released their new EP, We’ll Be Just Fine. With a total of six songs and a striking album cover that draws the eye, We’ll Be Just Fine is Burn the Louvre’s second EP, and a great step forward onto the music scene. Their first EP, Post-Romance, was released in November 2014.

The new album has been featured on college radio stations across Canada such as Mohawk College & McMaster University in Ontario, Ryerson University in Toronto, University of Guelph, and Brock University in St. Catherine’s. Burn the Louvre has also been featured on several music blogs in their home turf, but now, The Hook Journal is giving them a warm American welcome. 

Check out their social media down below!

We'll Be Just Fine Tracklist:
1. Fast Cars & Porn Stars
2. Body Lies
3. Give Me Love
4. Simpler Places
5. Breakdown
6. We’ll Be Just Fine
 

 

 

 

We’ll Be Just Fine starts off with the track “Fast Cars & Porn Stars,” which begins with a guitar melody that immediately makes my ears perk up. The song introduces the vocals of frontman Jordan Speare. Speare’s voice has a similar cadence to other indie rock singers like John Gourley of Portugal. The Man, and Nicholas Petricca of WALK THE MOON. The songs on We’ll Be Just Fine sound like something similar to what a Philly native would hear on Radio 104.5. My personal favorites were “Give Me Love” and “Simpler Places.”

The lyrics to “Simpler Places” are all too relatable – not to call on an overused sentiment, but it does really apply here. The chorus of “Well I don’t wanna try living a lie for the rest of my days, for the rest of my days and the rest of my nights,” stood out to me the most. This song is one I would expect to find tucked away in the soundtrack of a coming-of-age indie movie; the lyrics tell the story of that sort of journey of finding yourself, of reaching a point in your life when you realize what you truly want and who you want to be.

“Simpler Places” has a music video out, which you can watch here!

An honorable mention goes to the song “Breakdown” for its instrumentals. Burn the Louvre is certainly a band to watch out for, and We’ll Be Just Fine is worth a listen. Download the EP now and be sure to follow Burn the Louvre for more updates!

Burn the Louvre: Facebook // Instagram // YouTube // Twitter