We've been following With Sails Ahead for actual years now, and as one of the first bands to support The Hook, they'll always have a soft spot in our hearts. We recently watched them open up for bands like Emarosa and Jule Vera, which is our way of saying clearly our pals are going places, and it makes us so happy we could cry.
But we won't, and that's because Morning Sun, their brand new EP is out.
The NJ based five piece continues to impress us as they grow, and Morning Sun is an astonishing third addition to their discography, and their first release since June 2016's Years In Waiting. The 6-track EP is a heartfelt, passion infused open wound that With Sails Ahead lays out for listeners to witness and bare.
Morning Sun Tracklist:
3. Always Clouded, Never Clear
5. Synapses Fire
With Sails Ahead have solidified themselves as a force to be reckoned with, not only in their scene, but as they come up in the world of music. We're holding on tight for the journey, and you should be too!
Morning Sun is an emotional, angst ridden EP that keeps the listener in check. I was also sincerely impressed by the togetherness the band has shown in their growth, while maintaining the reason why we loved With Sails Ahead in the first place. Morning Sun is going to be more instrumentally technical and exciting, while also showing it's bravado and spirit in lyricism and contextual content. All of the tracks are superb, but my personal favorite would be closing track, "Beesly." For myself, this track really encapsulates this coming of age for With Sails Ahead. Morning Sun is the reawakening of the passion that this post hardcore quartet brings to the table.
With the recent announcement of a summer tour, you definitely don't want to miss an update from With Sails Ahead, so check out their social media links down below to remain up on the happenings of their lives!
We know we sure will be!
Bryan Patrick & Tess Eileen have partnered together in more ways than one recently, especially with their latest put-out, Fallow. The sweet little bedroom pop duo have created a space to get lost in the sweetness of Eileen's voice and lyricism. Patrick's gentle touch on the synthetic sound, drums, and guitar give way to a dreamlike sequence of a listen.
Four tracks to get lost in, check out the tracklist for the Self Titled release below.
Opening track "Don't Board" is a sweet track full of longing and wonder. It follows suit with "Burn Barrel" and "Say We're Ok," where Eileen explores the essence of tender love, of want and emotion. Patrick, of We Have Ghosts, adds that special touch to create for listeners a world that feels layered and soft to touch. Closing track "Evergreen" is especially delicate not only in lyricism but instrumental performance.
Overall, a fantastic output of sound for the duo, one that feels important & meaningful, and I'd be damn sure happy to hear more of. Check out the tracks above to hear what Fallow is all about, and in the meantime, stay tuned, maybe we'll hear more from them soon!
Debut album from Southwest Philadelphia multi-instrumentalist Eoin Murphy is like a well crafted mixed drink; icy sweet from the first sip with a lingering tension at the end of each gulp. Released under the pseudonym “Brushstroke,” this album paints a masterpiece from ear to ear.
Ten songs come together to make up One vs. One, and they can be enjoyed on all major streaming platforms. If you consider yourself a listener who is hip to the artist-centric music streaming site Bandcamp, then you may have spotted One vs. One in their January edition of Bandcamp Weekly, where the website features new releases everyone should be hearing; otherwise a digital tip of the hat to Murphy from the Bandcamp family.
Check out the tracklist down below!
It was the catchy single “Tapestries” that caught their attention, a song that has any listener singing along by the time the second chorus hits. The hook’s lyrics are filled with imagery and transport you to a hazy, blissful atmosphere layered with wispy guitar leads...
“Waitin on that dotted time
Drivin through the candlelight
Watching as the sun fades on the hill
I can feel this passin through
Maybe I’ll get back to you
Only after I see that blue
Tapestries of me and you”
Murphy’s voice tiptoes throughout the track, the longing for something he once had evident in his swooning vocal melodies. The lyricism feels impeccable, especially with lines like, “Drivin through the candlelight,” and, “Tapestries of me and you.”
Can you see it? The blurred horizon of driving through candlelight and two people weaving their relationship with each strand like a woven tapestry.
Tucked in the middle of One Vs. One, "Brushstroke" pays a homage to one of the most worshipped producers of our time, J Dilla. Murphy serves up his own rendition of the beloved tune “Fall In Love” and decides to strip the song of the beat entirely. This is a bold move to cover a Dilla tune, but he pulls it off gracefully. The cover starts out with simple guitar strums, eventually blooming into a multilayered masterpiece. The riff continues over and over again, trying to lull the listener into a peaceful dream.This record is a mature and powerful debut release from Brushstroke.
Not only are the songs catchy, but they highlight Murphy’s prowess as a guitarist, singer, and producer.
I cannot wait to hear what Brushstroke has in store for the future. In the meantime, of course, at least we have an entire album to jam to while we wait!Catch Brushstroke’s updates on their social media, or today, March 22nd at Bourbon & Branch right here in Philadelphia!
East Coast meets West Coast with Indie Pop duo The Perls, who quite literally created their debut EP from separate sides of the country - and honestly that alone is impressive. What's even more impressive is The Perls themselves, I mean honestly I'm losing my mind right now.
Composed of multi-instrumentalist Evan Linsey and singer-songwriter Kevin Hupp, The Perls followed up their single release in 2016 with their debut EP, The Age of Isolation, released on December 29th, 2017. Kevin and Evan produced the entire album themselves despite being on opposite sides of the country (Los Angeles and Boston, respectively). The fruition of this hard work and even harder situation is an EP that blends effortlessly, creating a space for listeners to get lost in and fall in love with.
Check out the tracklist below!
This EP is impressive from start to finish. For the first time in a while I was able to just enjoy the listening experience. The Perls have meticulously put together a collection of tracks that effortlessly exist. From mixing/mastering to lyricism to instrumental output, The Perls feel like seasoned veterans when it comes to making music.
With each track at a little over 2 minutes, and only one being over 3, this EP flies right by you while you're listening, making it an easy EP to put on over and over again. I typically go through every track and dissect them, but The Perls made my job really easy on this one. Every track is it's own persona that sits in the same circle as the rest. While I enjoyed every track vehemently, I also had two favorites that I'd like to focus on for their sound expansion and dynamic.
My absolute favorite track off of The Age of Isolation is "Play Cool," the track has a chorus so fire it made me almost weep the first time I heard it. The Perls have impressively incapsulated this indie/folk/pop hybrid that seeps out of every moment of listening. My second favorite track, and ironically enough it wouldn't load for me so it was one of the last tracks I was able to listen to, was "Videos (On TV)." The track is so gosh darn smooth, another chorus that makes me wanna explode with joy, and just an absolute charm to listen to.
Now, of course, just because these tracks are my favorites doesn't mean the other tracks aren't - let's be real here, this EP is one of the best, well recorded and performed EPs I've had the pleasure of reviewing in quite a long time. We'll definitely be following The Perls as they progress forward, and I sincerely can't wait to hear what they've got coming out next.
Until then, The Age of Isolation is a winner.
To follow these darling pals, check out their social media down below and support their cause, you won't regret this one!
It's been a while since we've gotten some pop punk, Shin Guard is helping us change that, and we're all here for it. The Pittsburgh foursome are working hard to bring what the feel to the table in their latest release, Five Songs.
Five Songs is actually a four track EP released back in December, and Shin Guard have given themselves the title of 'Pittsburgh Sadness' so there's that. It's gonna be a lot of feelings, and some yelling, but if you're ready to throw down then we are, too.
Owen Traynor (vocals, guitar, songwriting, synthesis), Joe Bojarski (vocals, guitar, songwriting), Jake Yencik (bass, backing vocals), and Ryan Yester (drums) make up Shin Guard and have worked hard together to make leaps and bounds in improvement from their initial release, Leglike, back in April 2017.
Check out their tracklist below to follow along!
Opening track "Bemis Point" doesn't feel like the perfect fit for me, as a listener, for opening track. It shows off where the band's headspace is, but second track, "Corsages" holds a lot more weight for me, so I sort of wish the two were flip flopped as it would've made the listening experience better and more streamlined. "Corsages" also shows off a hell of a lot more of talent then "Bemis Point" which would've just aided the band in creating an EP that showed off their absolute best talent, track by track.
Five Songs definitely gets better as it goes on, as I really only stumbled on "Bemis Point" which felt out of place in comparison to the other three tracks that follow. "You Turned Everything To Paper" uses an interesting spoken word technique to open itself up, disenchanting the listener into melancholy. The lyricism is potent and good, and the instrumental synthetics that go into the track make it feel like a hybrid ambient bedroom track. Interesting stuff.
Closing track, "Flubline" is probably the most fitting with "Corsages" and the sound that the band feels the most proficient in. I wanted more tracks like this. Tracks that said a lot without having to say a lot - that spoke instrumentally to the listener, that used experiences that felt relatable to the emotion Shin Guard seemed to want to be going for. I think these four guys have a solid ground to work off of, and I'm interested to see where they're headed and what sound they decide to settle in on and hone.
Until then, you can keep up with Shin Guard down below with their social media links, and if you're ever in Pittsburgh, be sure to check them out!
Jazz Fusion meets Indie Pop in Brother Martin's debut EP, Led-Son. The five track EP is a sweetheart of a release, one that will capture your heart from the moment you turn it on, so we suggest you turn that on.
With Led-Son being released back in January, the project includes Maria Mirenzi (vocals, baritone saxophone), Dan Espie (keyboard, vocals) , Jacob Kelberman (guitar), Jon Gruver (bass), and Austin Wagner (drums). Tracks 1-4 were recorded/mixed by Luke Shefski of Shefski Productions, and "Martin" was recorded/mastered live at Rittenhouse Soundworks by Michael Cumming, audio engineer. All of this hard work and effort has created an EP that often speaks for itself, whether that be in lyricism, performance, instrumentalism, or style.
Check out the tracklist below to follow along!
2. Describing Time
3. On Top of a Mountain
4. For Tomorrow
Opening title track is one that extends an open hand to the listener, it says "come in, you're safe here," and that is the only way I can explain my experience listening to Led-Son by Brother Martin. The entire EP is witty, light, soft and easy to listen to. Not once did I feel off put by any track on the EP, and I really dug Brother Martin's ability to change up their range and style while still staying in a sound vein that felt familiar and productive.
"Describing Time" slows us down from opening track "Led-Son" and let's you sink into the warmth that is Brother Martin. The use of the saxophone to follow the vocals is smart, well placed, and quite frankly makes me melt a little every time I listen to it. "On Top Of A Mountain" is a fantastic little diddy that brings back a euphoric joy and carelessness to Led-Son that makes it feel ethereal, thank you piano.
"For Tomorrow" dials down the theatrics and brings you back into orbit, and closing track "Martin" sweeps up the whole experience that Led-Son was and packs it back up neatly where it came from. This sweet lil EP knows exactly what it's doing the whole way through, and it is a truly impressive put out for Brother Martin, seeing as the debut EP feels solid and put together.
Honestly, this is just some good jams to simmer out too, and we recommend you do so. To follow Brother Martin and what they're up to, we've got their social media down below so you don't miss a single moment!
On January 12, 2018, I ventured to the beloved DIY venue Boontunes on a rainy night in Boonton, New Jersey to see some local music. While the weather was gloomy, it was a night that many from the scene gathered together for to support Médecins Sans Frontières (Doctors Without Borders), a medical humanitarian organization. When the show commenced, a four-piece post-hardcore band named Copley Woods took the stage. Their performance was extremely hard-hitting and emotionally-driven, captivating the show-goers who showed up early and were lucky enough to catch them. I was taken by surprise when the vocalist, Jake, mentioned that this was their first show.
With a promising future ahead of them, Copley Woods are sure to win over listeners of emo and post-hardcore with their EP, Sightings.
Copley Woods started off the new year by dropping Sightings on Bandcamp New Year’s Day. Sightings is a fast-paced post-hardcore album influenced by early emo bands, while drawing parallels to newer post-hardcore bands (I personally heard some semblance of Touche Amore). With fervent, chaotic guitars and fervent vocal performances, this album is the epitome of post-hardcore that is true to the genre while offering a fresh new sound.
Check out their tracklist below!
3. Emotion Engine
5. Always There
The album begins with the chaotic wrecking ball that is “Mirage;” it immediately pumps you up from the moment you press play.
It’s rhythmically interesting, and flows well. The words sung in “Mirage” are a stark warning of our earth crumbling due to the effects of harsh climate change from global warming. As the track slows to a driving drum beat to make way for an ambient guitar lead, nicely sung vocals and the following track, “Haunted.” On track two, the chaos continues with even more visceral relentlessness. Notably, the production on the vocals is dirty and distorted, which I love - it adds to the song’s overall mood.
Sightings’ halfway point is marked by a melancholy but soothing mostly-instrumental track aptly titled “Emotion Engine.” It showcases that Copley Woods is not just a one-trick pony, and is a nice intermission in the midst of discord and disarray. While being the longest track, it progresses well and never drags. The music crescendos towards the track’s climax, where the vocals return to deliver some feelsy lyrics.
Track four “Intruders” is moody and dark, with slightly less noise, but just as powerful. It tells the story of having an encounter with an alien, lyrically depicting a person who firmly believes “I know what I saw”. I especially loved the vocal production on “Intruders” and thought the stacked vocals were a great fit for the track. To me, the tone colors in this song are reminiscent of 90’s alt-rock, but mesh well within the context of Copley Wood’s sound.
The final song, “Always There”, feels like a nod towards 00’s hardcore and is a strong finale before the album concludes. With lyrics surrounding the haunting feeling of anxiety, it ties into the albums’ various contextual themes nicely, especially the visual theme of the album art- the suspicion that extraterrestrial beings are watching us.
Copley Woods is sure to see much success with their EP, Sightings. With a solid first offering in Sightings, anyone is sure to enjoy the attention to songwriting, lyrical content, song structure and dynamics. Copley Wood’s album showcases musicianship that surely proves they have the makings for longevity. Sightings is a must-listen, and if you regularly spin emo/post hardcore- music, it’s going to be hard to stop listening.
As always, thanks for reading and check out Copley Woods' social media to never miss an update below!